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Matt’s deft layering of jazz improvisation over written work has led him to many privileged collaborations. As composer, soloist and ensemble member, he performs and records regularly with Absolute Ensemble, a New York-based crossover contemporary chamber “band”. Their first release on Enja records, Absolution, which features Matt as composer and soloist on Serial Blues, was nominated for a Grammy in 2001. Matt was also featured on the Swiss television series Melting Pot New York on the recording of Serial Blues. Matt’s first solo recording, Gabriel’s Message (CCn’C Records), features his original arrangements and compositions based on Christmas themes, and has received world-wide critical acclaim. In 2004, Matt’s solo video-taped recording for the BRAVO channel was first aired. His performance features a mix of his original music and arrangements in jazz, pop and contemporary classical styles. In February 2005 Matt performed at the RIDEAU showcase in Quebec City, where he won two prizes for his performance; the Prix Galaxie, given to best emerging artist, and the Prix des Diffuseurs Européan, which sponsors a tour of France for his trio. In 2002 Matt composed an original film score for
a silent avant-garde French short film, which was performed live with
the film at Lincoln Center's Walter Reade Theater. His piece was one of
six short films screened with new music performed live by Parabola, a
New York-based ensemble specializing in new film music. Other
contributing composers included renowned film composers Carter Burwell
and Stephen Endelman. In 2005 Matt performed again with Parabola music
of Carter Burwell in two “sound plays” by the Coen Brothers and Charlie
Kaufman in New York and London. The show featured renowned actors Meryl
Streep, John Goodman, Steve Buscemi and Hope Davis, among others.
Matt’s other film contributions include the soundtrack of the 2003
Oscar-nominated animated film Les Triplettes de Belleville. His
performance includes a raucous jazz-style improvisation on a Bach
prelude, entitled Bach à la Jazz. Matt also recorded an
extensive solo piano improvisation for the soundtrack of the film La
Face Cachée de la Lune, directed by Robert Lepage. In 1998, Matt gave the Canadian premiere of his
Chorale and Variations on a Theme of Dave Brubeck, an original piece
for piano and chamber orchestra, with the Ensemble Contemporain de
Montreal, broadcast on Radio-Canada’s Chaine Culturelle. The piece
combines jazz and contemporary classical idioms. Dave Brubeck, upon
hearing the piece, contacted Matt, and has since played a very
supportive role in the development of his career. Matt is currently based in Montréal, Québec, where he has lived since 1999 |