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Pianist,
composer, songwriter and arranger, Matt Herskowitz has distinguished
himself in several musical genres. His 2007 solo piano release, Matt
Herskowitz Plays Gershwin (Disques Tout Crin), featuring
Gershwin's great solo arrangement
of Rhapsody in Blue and
Matt's own original solo arrangements of the Concerto in F and Cuban Overture, is in nomination
this year for
Quebec's prestigious Prix Opus. It also made Montreal's prominent
quotidian La Presse's list of top 10 jazz albums of the year. His 2006
solo
release, Gabriel's Message,
which features his original
arrangements and compositions based on popular Christmas themes, was
nominated for Québec's prestigious Félix award in 2007.
Matt's performance on the soundtrack of the
Grammy-nominated film The
Triplets of Belleville has earned him much popular and critical
acclaim. He performs Bach's Prelude
in C minor in the film, loosely
posing as Glenn Gould, and Bach
à la Jazz, his own jazz
arrangement of the same Bach prelude, which is also featured on the
award-winning hit soundtrack CD of the film. Matt also recorded a solo
improvisation in Robert Lepage's film La
Face Cachée de la Lune in 2003. In 1997 Matt won first
prize at the Orford International Piano Competition, which led to his
recording of Glazunov's 2nd Piano
Concerto with I Musici de Montreal
for Chandos Records in 1998. The recording was hailed by Strad Magazine
as “by far the best recording on disc.”
As jazz pianist with his group MaD Fusion he's performed at major
festivals around the world, including the Montreal International Jazz
Festival, the Etnafest music festival in Italy, the Rhino Jazz Festival
in France, and the Hamburg and Bremen international music festivals in
Germany, as well as a nine city tour of Belgium. Their debut recording,
Forget Me Not, received
wide critical acclaim, and was also nominated
for Félix award in 2005. Dave Brubeck, upon hearing the album,
wrote to Matt and commented: “Hearing such technique almost ruined my
day. This is the final straw, I'd better retire now.” Barry Manilow,
after hearing this recording, invited Matt and his trio to join him on
his 2007 Christmas release for Hallmark, In The Swing Of Christmas,
which has just been nominated for a Grammy award for Best Traditional
Pop Album.
As composer/soloist, Matt recently premiered his new piano concerto, Undertow, with Absolute
Ensemble at the Bremen International Musikfest
in Bremen, Germany. The piece was part of a program called
“Reinventions”, in which 5 composers were asked to write original
pieces based on Bach Inventions. Undertow
was one of four major pieces
composed for the festival. One reviewer wrote: “Matt Herskowitz proved
himself a highly energetic rhythmian, without comparison in his mastery
of the piano... he also conjured up absolutely lyrical moments of the
compositional structure of his Bach Invention.” His other works for
piano and orchestra include his Chorale
and Variations on a Theme of
Dave Brubeck, which he performed with the Ensemble Contemporain
de
Montreal in 1998 for Radio-Canada broadcast, Serial Blues, which he
recorded with Absolute Ensemble for Enja Records in 2000, and several
performances of smaller crossover works for piano and chamber orchestra
from 2002 to the present. Upcoming projects include the premier of a
new piece for jazz piano trio, violin and cello in the spring of 2009,
commissioned by the Lyric Chamber Music Society of New York, the
premier of a new concerto for bandoneon and orchestra in the fall of
2009, commissioned by Absolute Ensemble, and several performances of
his solo Gershwin program in festivals in Europe and Canada throughout
2009.
In 2002 Matt composed an original film score
for
a silent avant-garde French short film, which was performed live with
the film at Lincoln Center's Walter Reade Theater. His piece was one of
six short films screened with new music performed live by Parabola, a
New York-based ensemble specializing in new film music. Other
contributing composers included renowned film composers Carter Burwell
and Stephen Endelman. In 2005 Matt performed again with Parabola music
of Carter Burwell in two “sound plays” by the Coen Brothers and Charlie
Kaufman in New York and London. The show featured renowned actors Meryl
Streep, John Goodman, Steve Buscemi and Hope Davis, among others.
As a songwriter, Matt has collaborated with
many artists and producers, most notably pop diva Lara Fabian. His Piano Nocturne, a nearly 17-minute
solo piano piece featured on Lara's album Nue (Universal, 2001), earned him
many thousands of fans in Europe and was a milestone in pop recordings.
As a result of its success, Matt and Lara began a long and productive
collaboration which continues to this day.
A graduate of the Juilliard School in New York
and the Curtis Institute of Music in Philadelphia, Matt is originally
from Albany, New York, and has made Montreal his adopted home of 10
years.
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